Crime thrillers always create a world of their own with certain possibilities and challenges in that particular sphere. But Dejavu tries to defy all rules and gives us a world where anything and everything is possible. Even if the cause is fair enough to seek justice, the play enacted by the victims is not believable and it does not move us in any way.
A writer (Achyuth Kumar) witnesses all his fictional crime writings happening in real life. While he tries to complain to the police that the criminals in the real incidents are threatening him, the police shoo him away dismissing it as a drunkard's babble. That very night, the writer writes a story about a kidnapped girl, and the next day, the DGP's daughter (Smruthi Venkat) gets kidnapped. As the writer is held and kept captive, Arulnithi appears as special undercover cop Vikram Kumar, to handle the kidnapping case. The writer predicts every proceeding in the case in his writings as Vikram Kumar starts his investigation. Who is this writer, what is the dejavu moment here and what secrets does Arulnithi unravel in his investigation? What starts off as an intriguing episode of a writer appearing at the police station with a unique complaint, doesn't live up to the expectations till the end. The film loses steam as it progresses and makes us wonder about the logical loopholes it conveniently skipped towards the end.
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